It works simply and accurately and is a great compliment to Amadeus Pro. I also own the developers wonderfully powerful and oh so useful app "Click Repair" for when I digitized my extensive library of vinyl back in the day and still occasionally use it. I use it not only on a daily basis, but multiple times every day and have my workflow with it down pat. The batch processing functions and ability to customize those processes alone are well worth the added cost, especially if you're a person like me who works with dozens and even sometimes hundreds of files! As someone who has owned a number of audio processing software, I can say that I respectively disagree.Īmadeus Pro does things quicker and easier then any of the other titles I've owned. Some people complain that the price is too high for what Amadeus Pro can do. I've been remiss in not leaving a review of this software which I've owned for over a decade now. Audio CDs with CD-TEXT data can be burned directly from within Amadeus Pro.A wide range of powerful audio analysis tools. A "favourite actions" palette allows to have your most commonly used effects only a mouse click away.Support for VST and Audio Unit plug-ins.Supports a variety of sound formats, including AIFF, Multichannel Wave, MP3, MP4, Ogg Vorbis, FLAC, SoundDesigner II, QuickTime, Apple CAF, etc.Simple and elegant OS X-like user interface.Its outstanding sound repairing and denoising abilities make Amadeus Pro particularly suitable for transferring vinyl records on CD. The handling of large sounds is furthermore facilitated by the extensive support of markers. Thanks to its outstanding direct-to-disk abilities and waveform caching, edits on arbitrarily large sounds (even beyond the usual 2GB limit) are performed at lightning speed. The Equalizer offers seven PEQ plus high- and low-pass filters similar EQ is also available on the reverberation buses.Amadeus Pro lets you use your Mac for any audio-related task, such as live audio recording, digitizing tapes and records, converting between a variety of sound formats, etc. Another new feature update is a per-speaker Equalizer, Carpentier adds. The HOLOPHONIX built-in reverberation engine also offers new features such as a “Room Size” parameter that lets users adjust the reverb effect more finely. The algorithm can now control circular, rectangular, or curved-shaped loudspeaker layouts with non-uniform spacing.” “With HOLOPHONIX 1.7, Wave Field Synthesis now also supports non-linear speaker arrays, including 2D surround setups. “Previously, the Wave Field Synthesis algorithm was restricted to linear speaker arrays with regular spacing between the transducers,” says Thibaut Carpentier, Researcher at IRCAM, Lead Developer, and Head of the SPAT project. Developed with several musical, theatrical and scientific institutions, the HOLOPHONIX processor was designed by Amadeus in a collaboration with the STMS (Sciences et Technologies de la Musique et du Son), a laboratory founded in 1995 and hosted by the Institut de Recherche et Coordination Acoustique/Musique and affiliating the CNRS, Sorbonne Université, the Ministère de la Culture, and IRCAM around an interdisciplinary research theme dealing with music and sound sciences, and technologies.
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